The Rest of Diana

Welcome, everyone! Before you stands The Rest of Diana, a captivating painting by the renowned Flemish Baroque artist Jacob Jordaens. Created sometime between 1640 and 1650, this impressive work measures 2.54 meters wide and 2.03 meters high. It's currently displayed here in Room 848. nn The painting presents a vibrant scene, rich in detail and brimming with life. Warm, earthy tones—browns, ochres, and reds—dominate the palette, beautifully rendered in the figures' clothing and skin. Cooler blues and greens subtly appear in the background landscape and glimpses of sky peeking through the foliage. Notice how the light, seemingly originating from the upper left, casts shadows that skillfully model the figures and create a remarkable sense of depth. nn The central focus is a lively group, mostly women, gathered around a basket of fruit offered by a robust male figure, perhaps a satyr. While not explicitly identified, Diana, the goddess of the hunt, is likely among these women. Their attire varies, some draped in flowing fabrics, others less so, and their expressions range from serene to playful. A small, cherubic figure, possibly a putto, adds to the scene's charm near the male figure. nn The background is equally engaging. A tree laden with the spoils of the hunt—hares, a fox, and other game—hangs heavy with the bounty. A dog-like creature and a deer carcass in the foreground further emphasize the hunting theme. The overall composition is dynamic and densely populated, with figures overlapping and interacting in a seemingly spontaneous manner. The abundance of fruit and game symbolizes plenty and the generosity of nature. The juxtaposition of the hunt and the relaxed gathering suggests a celebration of a successful hunt and the enjoyment of its rewards. I hope you enjoy contemplating this masterpiece of Flemish Baroque art.