Study No. 1: Mr. Thomas Way

My name is Feely T. Heart, and I will be your guide today through one of our paintings: nn "Study No. 1: Mr. Thomas Way," a captivating print from 1896, offers us a glimpse into the artistic process of the renowned artist James McNeill Whistler. Here at the National Gallery of Art, we are fortunate to have this piece in our collection. The subject, Mr. Thomas Way, was a well-known lithographer of the time, and Whistler captures his likeness with remarkable economy and sensitivity. nn Rendered in black charcoal on tan paper, the portrait is a study in contrasts. Whistler masterfully utilizes light and shadow, creating a sense of depth and dimension. The figure of Mr. Way emerges from a darkly shaded background, his form defined by bold strokes of charcoal. The artist's masterful use of negative space draws our attention to the subject, emphasizing his presence. nn Whistler's signature style, characterized by its emphasis on line, form, and atmosphere, is evident in this striking portrait. The artist's masterful draftsmanship is evident in every stroke, revealing his deep understanding of anatomy and his ability to capture the essence of his subject with minimal detail. "Study No. 1: Mr. Thomas Way" is not merely a portrait but a testament to Whistler's artistic genius and his enduring legacy as a master of printmaking.