Mills at Dordrecht

My name is Feely T. Heart, and I will be your guide today through one of our paintings: nn "Mills at Dordrecht" transports us to a tranquil riverside scene in the Netherlands. Painted in 1872, this masterpiece by Charles-François Daubigny, a prominent figure in the Barbizon school of landscape painting, captures the essence of Dutch scenery with remarkable sensitivity. nn Daubigny draws our attention to the imposing windmill standing tall on the right bank of the river. Its size is emphasized by the smaller buildings clustered around it, likely warehouses or other mills, all painted in muted browns and grays. The windmill's sails are partially unfurled, hinting at the gentle breeze that likely ruffles the calm river waters. Several sailboats, their sails furled, are moored in the foreground, suggesting a moment of peaceful pause in an otherwise bustling workday. nn The artist masterfully uses light and color to evoke a sense of serenity. The overcast sky, rendered in soft, diffused light, casts subtle shadows on the water and boats. The river acts as a mirror, reflecting the sky and surrounding landscape in muted greens and blues. Daubigny's loose, almost impressionistic brushstrokes, particularly in the water and sky, enhance the painting's tranquil atmosphere. nn "Mills at Dordrecht," measuring 0.845 meters high and 1.461 meters wide, is a testament to Daubigny's skill in capturing the beauty of everyday life. It stands as a captivating example of the Barbizon school's dedication to portraying nature with realism and sensitivity, foreshadowing the Impressionist movement that would soon follow. We are fortunate to have this beautiful work in the Detroit Institute of Arts' collection for all to enjoy.