![Study of Drapery [verso]](https://d33y0z4ooepzrm.cloudfront.net/images/2f7a99f65fce1da3a3300411e05a4763d6b041de/fullscreen/2f7a99f65fce1da3a3300411e05a4763d6b041de.jpg)
Welcome, everyone. Today, we're looking at a fascinating piece by the celebrated American artist, John Singer Sargent. This is his "Study of Drapery [verso]," a drawing from 1920, and it offers us a glimpse into the artist's process. nn As you can see, Sargent used black chalk on cream paper to capture the essence of draped fabric. Notice the loose, almost energetic strokes he used to depict the figure. It's clear that his primary focus here wasn't the figure itself, but rather how the fabric falls and folds over the form. nn Sargent masterfully uses shading and line to create a sense of volume and movement in the drapery. The light seems to emanate from the upper left, casting subtle shadows that highlight the contours of the fabric. This technique, typical of Sargent's style, adds a remarkable sense of realism to the drawing. nn This piece, though seemingly simple, is significant for a couple of reasons. First, it showcases Sargent's incredible talent for capturing the nuances of light and form. Second, it provides us with a behind-the-scenes look at the artist's process. This type of study was likely done in preparation for a larger painting, demonstrating the level of detail and planning that went into Sargent's work. nn The National Gallery of Art is proud to house this beautiful and insightful piece, offering us a deeper understanding of one of America's great artists.
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