The departure from Paris (sketch for the Medici cycle)

Welcome, art enthusiasts! Today, we're looking at a captivating piece housed right here in the Alte Pinakothek: "The Departure from Paris (sketch for the Medici cycle)," a 1622 creation by the renowned artist, Peter Paul Rubens. nn This isn't just any painting; it's a preparatory sketch, a glimpse into Rubens' process for his grand Medici cycle. Measuring just under half a meter wide and a little over half a meter tall, it draws your eye to the central figure: a woman in a flowing dark gown, the focal point of a bustling scene. She's surrounded by a flurry of activity – men and women gesturing, a horse-drawn carriage waiting in the wings, all suggesting an imminent departure. nn Rubens, a master of Baroque dynamism, infuses the scene with a sense of movement and drama. Notice the interplay of light and shadow, the warm glow emanating from the upper left, casting soft illumination on the figures and creating depth. The earthy color palette, punctuated by vibrant hues in the clothing, adds to the richness of the composition. nn Look closely at the left side – a structure resembling a city gate hints at the setting: Paris. Atop this gate perches a fantastical creature, perhaps a gargoyle, adding a touch of whimsy to the scene. nn This sketch offers us a unique window into Rubens' artistic genius, showcasing his ability to capture both the grandeur of a narrative and the intimacy of human interaction. It's a testament to his skill and a fascinating prelude to the magnificence of the completed Medici cycle.